“During your concert shoots, you put remote cameras around the stage and in the lighting rigs. Can you cover the process and products you use to remotely fire the cameras and the grip you use to mount them? Thanks!” Continue Reading
“Hi David. At your awesome Shoot From The Pit in Amsterdam, you showed us a super wide-angle shot of yours at a stadium. When I asked how you pulled it off, you said you stitched together multiple images. Please enlighten us on how to do this! Many thanks.” Continue Reading
“I’d like more information on how to do a specific style of lighting that I’m seeing more of lately. I’d describe it as hard light, editorial style. It comes off as vintage inspired while still being modern. How do I do that?” Continue Reading
“In today’s digital world, is it still necessary to use graduated neutral density filters for landscape photography?” Continue Reading
“When I’m using flash outdoors during the day, do I turn off exposure simulation? If so, do I turn it back on after, or do I leave it off for the whole shoot? Thank you.” Continue Reading
“I have a prospective client who can only get photos taken in the middle of the day. How can I get a good portrait in that light?” Continue Reading
“When using multiple flashes in the same optical group, does E-TTL fire them all at the same power? What if some of those flashes are larger or more powerful while others are smaller like the Canon 600EX and the 430EX? The camera has no clue which way the flashes are pointed, so how does it know what to do?” Continue Reading
“What are your favorite settings on the Canon EOS R3 camera?” Continue Reading
“Why is it that photos of a board that is half white and half black are grey when shot individually. But when both white and black parts are shot in a single frame they appear to be white and black? Please explain.” Continue Reading